The Caribbean artists "were not only digesting Surrealism; they were, in fact, making it Caribbean" (68). Wilfred Lam's "The Jungle" includes both Surrealist and Picasso's flavor and also a unique Caribbean quality that displays "the interdependence of people, ancestors, spirits and natural elements" (68), mixed with undercurrents of colonialism and slavery, such as the symbolism of the tobacco leaves and sugar cane. Breton said Surrealism offered artists a mode of revolutionary thinking to "leap into the unknown" (70). The Aime Cesaire poem (67) "Notebook of a return to my native land," was considered by Breton to be one of the great prose-poetry works of the 20th century, parented by the three literary movements of the negritude, Harlem Renaissance, and French Surrealism.
p. 68 Mabille reads Lam's work with voodoo reference. Compares it to Hitler's cohorts in Europe.
"Mabille's reading is not simple primitivising, despite his running together of Santeria and voodoo." it's possible to see Lam's symbolism as being interested in Santeria. Mabille is analyzing this correctly in relationship to Tropique's goal to express a distinct Caribbean cultural...
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